Visits to the former President’s residence Cristina Kirchner of the Barrio de Constitución, where she was confined with household prison in the case of roads, they are a trend in social networks. Different personalities of politics and culture have requested the required permission to visit the Peronist leader, taking a photo with the host in the living room of the department.
Different images of the meetings were shared in the accounts of hundreds of Internet users, even became fashionable, in their meme modality, the “fake” photos of meetings that never concretized. The most remembered of these postcards is that of Katy Perry posing with the ex -president, that the journalist Eduardo Feinmann He spread in his television cycle as a real event. Other characters that were included in the portraits were Bart Simpson, Victoria Villarruel, Sebastián Pareja and Eduardo Feinmann himself.
Far from this type of anecdotes, in his X account, Cristina Kirchner shared a message that expressed thanks for the visit that Esmeralda Miter I did last Friday. “In 2023 I met and shared a dinner with Esmeralda Miter at the house of a friend in common. We had not seen each other since then, but a few days ago he asked to come to see San José 1111 and I received it very much like this Friday,” wrote the former vice president of Alberto Fernández.
“Definitely, she is a person who liked me very well. It is obvious that we come from absolutely different personal and political stories, but she is a very courageous woman with whom I get the same passion: the struggle for the truth. He gave me a book that her father wrote and gave her, with a very special dedication. Thank you Esmeralda, not only for the gesture, but also for your words,” Kirchner concluded, adding a series of photographs to the post.
From the death of Bartolomé Miter In March 2020, Esmeralda Miter has starred in a rough family judicial battle that involves both her brothers and the Saguier family, who currently control the newspaper The nation. The dispute revolves around the shareholding of the medium, the inheritance left by his father, the transparency in the corporate books and accusations of falsification of signatures to transfer actions. Esmeralda’s position is that part of the share package that corresponds to him – and that he would share with his brothers – was usurped through irregular maneuvers.
Central point of the conflict is the KMB SA, that according to Esmeralda groups a significant part of the actions that belonged to his father. She claims that there are foreign trusts – as the so -called “Blm I New York Trust” and “Blm II New York Trust”– They handle actions without being duly registered in the General Inspection of Justice (IGJ) or provide transparency on who manages them.
In addition, the ex -wife of Darío Loperfido and Kirchner sympathizer argues that in the act of the death of Bartolomé Miter and during his illness corporate movements were made without their knowledge, including sale of actions with allegedly falsified firms and transfers to third parties such as Marqués Federico Spínolawho according to the heiress appears as the holder of the actions through documents that she considers doubtful.
The litigation includes judicial claims of nullity, damages, moral damage, and prejudicial actions in commercial headquarters. For example, in 2023 Miter began before the National Chamber of Commercial Appeals the cause “Miter Esmeralda C/ Kmb Sa and others s/ ordinary – nullity – collection of pesos – damages and damages – moral damage” to claim that its shareholding ownership be recognized and responsible for those who, according to her, disappointed the succession.
Another important edge of the conflict has been the media and legal pressure. The actress denounced attempts to discredit, as public statements about her hospitalization or requests for the declaration of insanity, which she considers maneuvers to weaken her while carrying her claims. Calligraphic expert reports were also summoned that indicated that his father’s signature in some documents was falsified. In certain instances of justice, Miter obtained favorable resolutions, such as the right to access to corporate books since key documentation is revealed, although it is not yet definitively resolved who controls what an effective percentage of the media group.
The confrontation also has a strong emotional and symbolic component, because for Esmeralda Miter the family legacy, the media tradition and the history of the newspaper with what it interprets as internal betrayals is mixed: it accuses cousins, uncles and siblings of having favored the transfer of actions towards the Saguier without the proper transparency, and of allowing someone outside the historical nucleus of the family, such as the Marquis Spísola, appears in the pack shareholding, putting at risk what she considers “The Diary of the Family.”
Image gallery
