GIancarlo Magalli wanted to say his on a story that, after the Death of Pippo Baudocontinues to fill pages of newspapers and TV programs. Guest a The right timethe conductor has deaferly denied Katia Ricciarelli’s statementswho had accused assistant Dina Minna of filtered any contact with her ex -husband. Magalli explained that he was aware of Baudo’s decision that he no longer wants to speak with the soprano.
Magalli: “Baudo did not want to hear Katia Ricciarelli”
In the living room of Caterina Balivo on Rai 1, Magalli told a different version to that of Katia Ricciarelli. The conductor, linked to Baudo by a longtime friendship, explained that he had witnessed a precise moment: “I had the number of Dina and the private number of Pippo. A private number that gave to those who wanted. Actually in Katia he didn’t want to give himand he said to Dina “I don’t pass it when he calls”. ” A statement that would change things: it would not have been the assistant to prevent contacts between the former spouses, but Pippo Baudo himself a Choose to stop dialogue with the soprano.
Katia Ricciarelli’s bitterness
A reconstruction very different from that offered by Katia Ricciarelli a Very true. The soprano had explained to Silvia Toffanin to have Attempted several times to contact Baudo without succeeding, accusing Dina Minna of preventing them from all access. Even more painful, for her, to have learned about the death of the ex -husband only from the newspapers, and not by those who were next to him. A detachment that was also reflected in his words on the will: “I do not consider it right that the secretary had the same fraction of inheritance as the real children. Was he a father for her? I don’t appear to me “. After the Minna legal warningRicciarelli preferred to dampen the tones: “I respect them, but I have not offended anyone.”
Pippo Baudo, the assistant and the inheritance
The heritage left by Baudo, estimated at around ten million euros, was Divided into (almost) parts equal between the children Tiziana and Alessandro and the assistant Dina Minna. A choice that confirmed the deep bond with the collaborator, also publicly recognized by the family. During the burning room, the embrace between Tiziana Baudo and Dina Minna made a clear bond that went beyond work. In this intertwining of affections and tensions, Magalli’s words sound like a firm point: Baudo was not isolated and, in silence with his ex -wife, the decision was exclusively his.
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