Lali Espósito He finally had his revenge. The same weekend that Buenos Aires legislative elections were settled, presented with its new show at the Liniers neighborhood stadium. The pop star exhausted the tickets and launched his new album The point is that, in the middle of the election day, the singer interpreted “Clown”a new musical theme that contains certain winks to the presidential figure of Javier Milei. “I wrote it two years ago, before ‘Fanatic'”, Lali clarified to the thousands of followers who gathered at the Vélez Sársfield facilities, referring to the previous song that pointed directly against the libertarian leader.
“When you already fell to the lion, the rats do not distract you” and “you are selling me smoke and you can see”, are some of the verses of the new hit that the Kirchnerist journalist’s girlfriend Pedro Rosemblat He overturned before the public. Symbolic word that make references to the current political context, but above all they shoot on the president of La Libertad advances, when choosing Milei’s favorite animal and account for a certain verbiage in their economic explanations.
Another political moment of the concert was to interpret the cover of “Over -up winners” by Patricio Rey and his Redonditos de Ricota, One of the most celebrated musical groups by the Peronist militancy. In addition, at a certain time of the show, the former “almost angels” wore when making the gesture of “three” causing the euphoria of the attendees, a wink to the number demanded by Karina Milei in the alleged coimas that the former head of Andis, Andis, Diego Spagnuolohe mentioned in the recordings filtered to the media.
“Vote well, vote well. We don’t want dislikes later. Vote well,” Lali Esposito warned in “The Argentine voice”. In the Telefe cycle, chatting with the musician Ale Sergi, Just a few days before Buenos Aires suffrage, the star took advantage of the small screen to give its message. A timing that, for a long time, the artist takes the opportunity to be located on the sidewalk in front of the Mileista government.
Espósito’s messages were the prelude to elections that hit La Libertad advances. In addition, in the previous weeks the case of the listening of Spagnuolo that linked the undersecretary of the Presidency, Eduardo “Lule” Menem, With alleged coimas of companies in the drugstore sector, and the presidential veto to the emergency law in disability in the upper house was also disapproved. All this added to the fluctuations of the economy.
The origin. “How dangerous, how sad,” said the post that Lali Espósito uploaded to the social network X in 2023, after Milei’s triumph in the passage of that year that announced what would happen later. In fact, the emotion of a tear was used by the vocalist when he scored that Milei reached the top of power.
On the president’s side, in various interviews he used disqualifications and teasing to the singer, whom he accused of being “part of the cultural caste.” The LN+ report made by Luis Majul was one of the most remembered. In full dialogue, he renamed the artist as “Ladri deposit”by criticizing famous musicians who invoice the state with high cachets for their recitals. An nickname that libertarian tweeters would spread in networks and add other celebrities, such as the urban artist María Becerrarenamed “María Bcra” by Milei.
When the president could not stop talking about her, Espósito sent him an open letter asking him to stop insulting her. He disjointed her and continued with her diatribes. Although, for the doubts, later he erased all the offensive posts that the artist had dedicated him to prevent the contest from ending in the courts.
At the beginning of this year, after the anti -gay speech of the Head of State in the Davos forum, The two singers would be together in the Federal LGBTQ+ anti -fascist marcha massive mobilization that began in Congress and ended in Plaza de Mayo. The artists greeted the multitude activist from the windows of a trade in Avenida de Mayo 700.
The last days show Lali Espósito as a clear winner from the artistic to the political. He answered Milei as best knows: with his music. More than 40,000 people attended their concert. A show that combined pop deployment, implicit messages and a staging that made it clear that “the cultural battle” is also fought on stage.
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