C‘It is an unwritten code for real outdoor events, an almost impossible balance between the elegance required by the role and the relaxation that the occasion imposes. Charlene of Monacoto this game of balance, he has shown that he knows how to respond with a teacher move. Al traditional Monegasque picnic of U cavagnëtuwhere the Grimaldi meet citizens between checkered tablecloths and the last summer sun, the princess has staged The perfect transition look. A white dress that, at first glance, speaks of simplicity, but that a more careful analysis reveals a studied complexity. Next to her, Alberto and twins Jacques and Gabriellato compose an impeccable family portrait.
Munich Charlene look: the optical white playing with asymmetries
The dress chosen by Charlene is a piece of Oscar de la Renta who lives on contrasts. The purity of white is interrupted by the three -dimensionality of the sangallo lacewhich created an almost sculptural embroidery. The silhouette was caste, with round neckline and short sleeves, but was made dynamic and modern by a asymmetrical hem that stretched out on the back. A choice that revealed and hidden, classic yet contemporary. To complete the outfit, the Gianvito Rossi’s nude slingback décolleté décolletéan almost invisible choice to let the dress speak, and a couple of pearl earrings to illuminate the face.
The strategy of Charlene di Monaco a U cavagnëtu
The real strategic move is all in the fabric and in the name of the brand. Sangallo is not any lace: born in Venice in the 16th century, it is the lace of the queenssymbol of power also worn by Elisabetta II. Bringing it to the grass of a public park is a statement. The choice of Oscar de la Renta then consolidates a narrative: it is the second time this summer, after the July pink dress. Relying on the tailor who was confident of Jackie Kennedy’s style and the crowned heads of Europe is a way for Charlene to build a coherent imageprojecting a modern and conscious royalty.
Gabriella and Jacques, miniature style icons
And if the mother’s dress tells a story, The looks of the twins are the perfect corollary. Little Gabriella, increasingly at ease in the role of mini-fashionistist, He wore a delightful ivory dress of Dior with floral printswhose flared skirt echoed to that of the princess. The brother Jacques, on the other hand, was a perfect miniature gentleman with a blue blazerwhite shirt and light pants, a look that resumed the broken elegance of his father Alberto. Not only children of principles, but already interpreters of a style that is, first of all, a family question.
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