Recommendations of the Editorial team
No other would have accepted none of the main commissioner Schimanski as a guide and whisperer: Klaus Lage, at the height of his pop career, also 35, demolished apprenticeship as a building materials, a successful degree of education, social worker.
Round man with round glasses, who symbolizes all robust, defensive, resilient in rock’n’roll music, sometimes her conservative core, also her wisdom. “You just don’t start crying now, you play otherwise a hard man,” ribs the location here at the beginning of the song, as Santa Claus in Jeans, paternal, repeatedly interrupted by the whispering guitar by Sidekick Rolf Klein.
It was the time when the so-called German rock was a big number for the first time, which made musicians Jacketts, were often saxophones, in all programs, from Dieter Thomas Heck’s “Hitparade” to “Peter’s Pop Show”.
Good vocabulary for love and melancholy
Klaus Lage and his men from Berlin were the least fashionable, ideally grounded among the hit parade-which is why they were able to venture into the coal in “Faust on Faust”, the title song for the Schimanski-Kinofilm of the same name, also the word game with the coal, the subsidized stuff from the Ruhr area and the gravel, with which the old friends had been doing well.
Read more: The best German songs of all time
The terrible cliché of the street dog with feeling: Location has embodied as perfectly as no other, because it also had good vocabulary for love and melancholy. It may have been annoyed that his biggest hit, “1000 and 1 night (zoom!)”, Had a little overhang on the emotional side-he brought everything back to balance with the Schimanski song.
“Like you too, she wants to know too much, no trace is too hot,” the woman who gets the commissioner to cry. A hymn on the pot, the eternal struggle of hard working men. And the broken hearts at the end of the bar.