Already at the beginning of the new Millennium, Skunk Ansansie had put in a Sabbath decade and then resumed the thread with Wonderlustre in 2010. Two albums followed the second extensive absence from 2016. The continued return with The Painful Truth is now characterized by a strong will to redesign.
‘An artist is an artist / when an artist is an artist / and she Don’t stop at artist / lause she’s old, you know “, are the first words that a singer Deborah'” Skin “dyer in the open” An Artist “is on the move-and this l’Art pour l’Art- (about) life setting You can understand as a guiding principle of the stylistically ovened album.
In the studio of tv on the radios guitarist and multi-instrumentalist David Sitek, the guitars show themselves and the bass no longer show a bit more radio-obsessed, meanwhile consistently deeper into the (electronic) effect-trick box postmodern pop productions. The characteristic songwriting hand has mostly not been lost. In the case of the finger piano motivated “Lost and Found” or the great, yet arranged finale of “Meltdown”, you may even benefit from the changed sound screw screws.
You can find out which albums were still published in May 2025 via our monthly publication list.