Mari Pudas
Not everything has been thought about at the end of the Basel Visa Arena, writes Mari Pudas, editor of Iltalehti.
Theo Evan, a visa representative of Cypriot, was in a difficult situation. Aop
This year, Basel’s Eurovision Song Contest has stricter rules both in terms of security and the privacy of artists.
As a result of last year’s Jost scandal, shooting is prohibited in many places and journalists have received multi-page guidance on how and where artists can be photographed and approached. Suppliers are also reminded to respect the artists’ own space. Artists like Finland Erika Vikmanhave praised how to invest in artists’ well -being
Yesterday, after the first semifinals on Tuesday, Ebu’s arrangements were worse once. Our Finnish and Swedish journalists were sent somewhere in St. Jakobshalle’s Uumen to wait for access to Kaj’s interview room. There was no other group in the hallway.
The day changed when, unexpectedly, artists with their delegations began to pass by and between us in a narrow corridor. On the Norwegian continuation of Kyle on Alessandro It was a pleasure at its peak and the Heja Norge shouts were buzzing.
Polish finalist Justyna steczkowska In turn, she shouted thank you, thank you, I love you.
The atmosphere changed when, for some strange reason, some of the fallen artists were made to walk through a narrow corridor through the supplier herd.
Fallen Theo Evan was completely broken and he sighed loudly as the tears flowed. The sad expression became even horrified for a moment when he noticed a herd of about 20 people, maybe imagined that he would be in the wolf. Nordic journalists are generally correct, and we did not leave any other than OOJ sounds as an empathy.
Empathy and thinking about things to the end would not be bad for visa organizers either.