Music Express Badge

Recommendations of the editorial team

America turns on the bike under Trump. You should rather do a lot of things now. Even beefs like Drake vs. Kendrick Lamar? A highlight on the local disset of the culture.

1. Frank Farian vs. Dieter Bohlen

At the height of his popularity (#dsds), Dieter Bohlen shared as if he were Donald Trump. At the beginning of the nineties, he published books in which he chapter unpleasant college: inside. The book “Behind the scenes” has to blacken passages due to various complaints. Frank Farian is also mentioned: he spoiled the prices in Rio’s brothels. The other questionable pop-titan (UA Milli Vanilli) does not want to sit on this. But his replica – also in book form – “Stupid of these Bohlen” cannot damage the attacked people due to a lack of public interest.

2. Heino vs. the true Heino

In the eighties, Norbert Hähnel liked to appear on stages as the true Heino. The real Heino did not find the punk-per-lodging funny and complained. 10,000 D-Marks were awarded to him by the Düsseldorf Regional Court. But even if the dead trousers and the golden lemons recorded this money with a benefit concert, the true Heino decided not to pay and was assigned properly with 20 days.

3. Animus vs. Manuellsen

The German-Iranian rapper Animus from Heidelberg is not a fan of the quiet tones. When he publicly accuses the Ruhrpott heavyweight manuellsen that his own girlfriend would pose in a video in his own video, Animus falls in front of his feet in 2019. Manuellsen “visits” him unannounced in his studio – everything captured in cell phone films. After a handgemand, Animus ko remains on the couch.

4. Manuellsen vs. Bözemann

But the dubious fame that manuellsen won in a machistic hip-hop scene with the precipitation of Animus ran through his fingers a few years later. He wanted to clarify another beef – with the Kosovar rapper Bözemann – in the boxing ring. Despite a size from 1.97 to 1.78, Manuellsen sees no country in the show struggle pursued by millions on the net and goes down. The maligned comedy gold is still comedy gold.

5. Tokio Hotel vs. US5

The boy bands, on the other hand, were far less tangible. Although that was only true for the protagonists. In the nineties, however, the fan camps of US5 and Tokio Hotel were welcomed. Question of faith: Casted Radio Pop vs. Handmade Emorock. Ex-green chairwoman Ricarda Lang-at that time twelve years-later stated in an interview 01/2023 with the MusikExpress: “When I was young people, there was a huge argument-was Tokio Hotel or US5?” Incidentally, Lang decided on Tokio Hotel at the time. With a view to the impression left in the pophistorie of both acts, it was probably right.

6. Moses Pelham vs. The Fantastic Vier

Who needed East Coast against West Coast in the nineties? We had Swabia against banking metropolis. Both sides: lyrically fairly unarmed. On the one hand, the Rödelheim Hartreim project: “Four Stuttgart boys / they call themselves fantastic / I am surprised / I am surprised / what the boys think / they are spastic” – and on the other hand the fantastic four, who also do not shine when they answer in a track: “I just wanted to fop / because in reality I want to pop sister.”

7. Bushido vs. Kay One

Before the unpleasant Bushido in front of the spirits he called, looking for refuge in the police and judiciary, he “buried” his former friend and ghostwriter Kay One in the video for the eleven-minute disstrack. Bushido’s extremely poorly aged work (“I am supposed to be a slave of the Abu Chaker family? / Ashamed you!”) The overlooked 2013 counters with the 25-minute “Day of the Last Court”.

ttn-29