“The Mandalorian and Grogu” divides criticism: While some media celebrate the “Star Wars” film as the best adventure, others speak of it as the most boring part.
Seven years after the last “Star Wars” movie, Disney is bringing the franchise back to the big screen. But shortly after the review embargo expired, it became clear: “The Mandalorian and Grogu” caused very different reactions internationally.
While some critics celebrate Jon Favreau’s film as an entertaining space adventure, others speak of a streaming offshoot in cinema format that is poor in ideas. On the rating platform Rotten Tomatoes, the film currently has 64 percent positive reviews – just above the threshold for “fresh” status.
Praise for the atmosphere, Grogu and the adventure tone
Several US media outlets emphasize that the film hits the tone of classic “Star Wars” adventures. In particular, the chemistry between Din Djarin and Grogu as well as the music by Ludwig Göransson are often mentioned.
“The Wrap” describes the film as “the most entertaining “Star Wars” film since the 80s.” “USA Today” also praises the mixture of action, strange creatures and a nostalgic sense of adventure.
GamesRadar says Pedro Pascal’s character continues to work great with Grogu. The two are “one of the strongest duos” to emerge from the expanded “Star Wars” universe.
The New York Post also sees an advantage in the comparatively small story. Instead of questions of galactic fate, the film delivers a compact mission with western elements and direct action.
Criticism of the plot and cinematic adaptation
Other voices are much harsher. Several critics accuse the film of seeming more like an extended streaming episode than an independent cinema event.
“SlashFilm” calls the film the “most boring “Star Wars” film ever. It criticizes the lack of narrative risks and a plot that relies almost entirely on familiar patterns.
“The Independent” has a similar verdict. It describes the impression as if three episodes of a never-produced fourth season had simply been cut together. The story seems “consequential” and gets lost in fan service.
“IndieWire” also speaks of a “generic” contribution to the franchise. The heavy use of CGI in particular takes away from many scenes.
Recurring debate about the future of “Star Wars”
What is striking is that even benevolent reviews often address the same point: the film lacks greater significance for the “Star Wars” universe.
“Gizmodo” describes “The Mandalorian and Grogu” as a “side quest” that leaves little trace in the larger canon. “Empire” also keeps the stakes of the story surprisingly small.
The discussion is reminiscent of the reactions to previous “Star Wars” releases in recent years. Since the end of the Skywalker saga, the franchise has visibly struggled with the question of whether new films should primarily serve nostalgia or take new directions.
Editorial recommendations
Cinema release in May
“The Mandalorian and Grogu” opens in theaters on May 22nd. It is the first “Star Wars” film since 2019’s “The Rise of Skywalker.”
