Hyear exceeded the million views and even conquered a special invitation. The grandmothers of Ostuni, protagonists of the viral video on the notes of Stained, They have shown that energy and desire to have fun have no age. The Group of Lord of the Association “Il Filo di Arianna” It is not new to surprising companies: in the past they had already been noticed for their crochet creations, but this time it is the dance that makes them real Tiktok stars. And surprisingly, among the Many comments under the video, that of Tommy Cashthe discussed artist who will bring the song to the Eurovision 2025.
Tommy Cash: “My dancers for the Eurovision”
The video was Posted on Tiktok by Michele Conennasoul of the association, with the caption: «Stained of my girls ». In a short time he went around the web, reaching the Estonian singer, who He reacted with enthusiasm defining the ladies “his dancers for the Eurovision”. An unexpected recognition for a group that, born to encourage sociability and creativity among elderly women, has now become a social phenomenon.
Stainedbetween success and controversy
If the video of the grandmothers has only aroused smiles and admiration, the same cannot be said of the song they danced. Stained divided the public: There are those who consider it an ironic gimmick and those who accuse it of ridiculing Italy with stereotypes on coffee, mafia and spaghetti. Codacons has already filed an appealWhile Caterina Balivo called her offensive. Tommy Cash, for its part, seems to have fun: “I love when an entire country reacts”commented. The Estonian artist told Live propagandaon La7to be a great admirer of our country and never wanted to offend anyone.
The grandmothers of Ostuni on the Eurovision stage?
For now, the singer’s invitation is only virtual, but their performance has already left their mark. Who really end up in the spotlight of the Eurovision Song Contest of Basel or not, Ostuni’s grandmothers have already won their challenge: show that talent, irony and desire to have fun do not know age limits.
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