Such and what show 2022, final: the imitations of the last episode

Rosalinda Cannavòinstead, she turns into another pop queen: Katy Perry. Samira Lui is Donna Summer. The three women who, for one reason or another, have left a mark are missing.

Valeria Marini continues to play women of a certain caliber. This time it’s the turn of Nicole Kidman and who knows how it will go with his English, notoriously limping. Yet, Alessandra Mussolini is Fiorella Mannoiawhile a Valentina Persia – the most transformative of the cast – is entrusted with the memory of Amy Winehouse.

Paolantoni and Cirilli as Loretta and Daniela Goggi

As regards male competitors, Claudio Lauretta continues to dive into the names that have made the history of Italian pop music. After Renzo Arbore, Pino Daniele, Zucchero, Renato Zero, Vasco Rossi and Bobby Solo, tonight turns into Claudio Villa. Also Gilles Rocca continues the path taken in the first episode, imitating another Roman singer: Fabrizio Moro.

Moving on, instead, to the spearheads of the transmission, Antonino must play Riccardo Cocciante. At the moment it is first in the standingsbut only 20 points away there is Andrea Dianettiwinner of the sixth episode with a convincing and exciting performance by Irama on the notes of Wherever you will be.

Finally, the comic moment it is entrusted, as always, to the unlikely and unpredictable couple formed by Francesco Paolantoni and Gabriele Cirilli. Their imitations of Blanco and Mahmood, Elton John and RuPaul, Amedeo Minghi and Mietta, have given real pearls that will remain in the annals of the program. In the last episode they pay homage the lady of the jury. They will, in fact, Loretta and Daniela Goggi.

Antonino winner announced? The general classification

The general classification sees Antonino in the lead with 348 points. Dianetti is at 328followed by Elena Ballerini with 314. Continue with Gilles Rocca (313), Claudio Lauretta (301), Valentina Persia (288), Rosalinda Cannavò (276) and Alessandra Mussolini (249). They close Samira Lui with 229 points, Francesco Paolantoni and Gabriele Cirilli with 198 and, finally, Valeria Marinistops at 185.

The comeback for the last positions appears rather unlikely. The victory, therefore, is entirely in the hands of Antonino and Andrea Dianettiexcept for sensational twists. Antonino he is the competitor who immediately proved to be a papable candidate for triumph. And since getting started is half the battle, the chances of you winning the title of winner of Such and what show 2022 they are quite high.

However, the final judgment is left in the hands of the jury, namely Goggi, Giorgio Panariello and Cristiano Malgioglio. Their votes, then, are added to those of the public, expressed through the social profiles of the program. The three most voted artists get 5, 3 and 1 point respectively. To these are added the 5 points that each competitor assigns to himself or to a colleague at the end of all performances.

While waiting to find out what will happen, it is good to remember that this is not the last appointment. Friday 18th November Such and what show back on the air with the Tournament of Champions. As has happened in the past, the best competitors of this edition clash with the best of the previous one.

Such and what show 2022strength points

After twelve editions, As such it does not seem to be affected by the risk of usury that affects all the formats proposed year after year. Indeed, unlike others, it is strengthened more and more thanks to a formula that is true to itself, although renewed in some respects. The heart of the format, in fact, remains unchanged, but we are witnessing the grafting of small factors, which go to innovate the canvas.

This year, for example, it happened with the return of Francesco Paolantoni, flanked by Gabriele Cirilli. A right intuition, which helped to keep the spotlight on. The strengths lie in multiple factors. First of all, Carlo Conti is the perfect conductor. Always present and attentive to directing his artists, he manages to create a fun and captivating symphony.

Play of subtraction, thus becoming a fundamental presence, but never intrusive. On the contrary, highlights all talents and, in the end, the jury and competitors are all protagonists. Regarding the judgesthe trio works. Loretta Goggi and Giorgio Panariello they are punctual, but accommodating and never pretentious. The first is entrusted with the technical evaluation, the second the somewhat broader one, often seasoned with funny jokes.

A unicum in the Italian panorama

Cristiano Malgioglio, on the other hand, is the loose cannon. He plays the role of the villain, desecrates any performance, even the technically perfect one, and does not spare vitriolic opinions. He does it lightly, cunningly and, basically, gives a belly judgment. Like many viewers sitting comfortably on the sofa at home.

Certainly also the cast has its weight. The winning formula lies in mixing high and low, pure talents with characters willing to get involved regardless of criticism. In the end, what emerges is a fun, light program that does not tire. Almost unique in the Italian television scene, in which we are witnessing the death of once very strong titles, now destined to go almost unnoticed.

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