Since 2018, Yungblud Punk Attitue and great pop melodies have been mixing up a powerful spectacle that brought him three top 10 albums in the United Kingdom-the last two even reached the top position. At the same time, he played with nostalgia-look and feel reminded of the emo of the early 2000s-and with the algorithm: his smart songvignettes were always made for Spotify and Co. Now there is obviously something like ambition: On Idols, he examines the question of why we often believe others more than ourselves.
In terms of shape, he is looking forward to the way of the recipe for success: the opener “Hello Again Hello” already runs over a whopping nine minutes: The track comes with a theatrical hard rock break in the middle and a symphonic part, which is not possible without breaking up. In the further course of the album, the Brit repeatedly returns to this sound, which seems ambitious with its strings, but sometimes screams dangerously close to the stadium anthems of Coldplay or Thirty Seconds to Mars.
Elsewhere, he draws from Hardrock and big ballad of the 1970s, but remains strangely undecided. Not that we misunderstand: Sometimes it works, “Idols Pt. I” also has excess length, but it sounds like a lovechild of U2 and Meat Loaf in its best moments. What is missing, however, is the old, crazy Yungblud, who raps as hypernizers about his life as once Mike Skinner or Jamie T., he only gives a guest appearance in “LoveSick”. Hopefully only a temporary absence.
You can find out which albums were published in June 2025 via our monthly publication list.