Post-punk settings of cultural uneasiness
While around him Kevin Kuhn’s drums, Julian Knoth’s bass and his guitar are constantly erecting new walls of sound, Max Rieger admits to resignation, to self-inflicted powerlessness, to inner paralysis, to a tendency towards negation, to passivity: “I could go anywhere, but can’t move!” It makes sense that the slowly rearing post-punk behemoth called “Keine…
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