* * * * (Four stars)
She was part of the show business long before she knew it, as she is the daughter of the great singer Horace Molina and the model and actress Chunchuna Villafane. But he was barely able to make his own way, he knew how to distinguish himself from them. She became very famous and recognized in the ’90s at the head of the highly successful program “Joan and her sisters”.
However, heterodox, groundbreaking and non-conformist as it always was, abandoned the acting profession at the peak of her success to fully engage in music. In 1996, she released her first excellent album “Weird“, produced by Gustavo Santaolalla. She moved to The Angelscontinued recording and returned to settle in his Buenos aires city.
At this point, you have various albums released with artistic fortunes and disparate sales. Although it is possible to discover a coherence marked by its personal songwriting style –among naïves, folk, pop, electronic, candomberas or country- where Alfredo Zitarrosa, María Elena Walsh, Eduardo Mateo,
Spinetta and national rockHe, all passed through the sieve of the electronic processing.
Although apparently simple in their invoice, the songs do not reach the public “clean” but as sounds elaboratewith voices and instruments -guitars, keyboards- sampled, with rhythmic ostinatos that order the musical discourse and with its always personal vocal style.
At live from cckJuana reviewed some of her songs after opening the concert with a set of music shared with Ale Francov, as “rare” as everything he does, from some verses of “Martín Fierro”. And he had a luxury partner on drums and percussion Diego Lopez de Arcaute.
can be said perhaps that is reiterated in the way of working his aesthetic discourse and that works against him. On the contrary, Your proposal is so serious are elegant and virtuous lightingare respectful in the way he stands before the public, that his show, like his entire artistic career, deserves the greatest respect.
