TOthe press conference of the series Lidia Poët’s lawon Netflix from February 15th, Matilda DeAngelis described the role of Italy’s lawyer lived in the late 1800s as a fictional character with elements from Lidia’s biography. A woman who, despite being expelled from the register since the profession did not suit the organic constitution of femaleshe continued to do his job. Following his professional brotherof course, but far from being a simple assistant.
Naturally, among the questions there was one about how much progress has been made from 1883 to today. If, in short, on the subject women and discrimination the current situation retains some constants. “More is reported abroad”replied De Angelis, «in general, the most difficult forms of discrimination to break down are those inherent in the system, in society. Like ‘the beautiful actress’ and never ‘the beautiful actor’».
Matilda De Angelis: «I always answer, my mother raised me like this»
Meanwhile, what is Matilda doing, responds to every attack, though: «I have suffered few discriminations because I’ve always been a big ass head. I always answer, my mother raised me like this ». The character of the actress is also quite well known.
When she was co-host in Sanremo 2021, comment your dose of hate online on dress and hair recognizing a constant: «In the end Sanremo went well, I got a lot of compliments and the same negative comments I got in high school. I confirmed that I’m annoying, know-it-all, that I’m picky and that my hair is unkempt. I stayed true to myself». Practically an anticipation of the role of itself in Call my agent – Italy.
Of course, then there is case and case, different attitudes, but, without building up the muscles to defend themselves from men as common sense would say for cases of real violence (while the woke movement says no), meanwhile answer. Which is always boring, but with jokes it works.
Matilde De Angelis and Edoardo Scarpetta in “The law of Lidia Poët”. (Netflix)
And of Sanremo just finished between the Ferragnez quarrels that they would steal the show and monologues made when garbage washes the streetsWhat do you think of these co-hosts? Again emphasize the system that does not change, the treatment of women does not affect men. Agree with Matilda there is also Sara Lazzaro – in the series plays Teresa Barberiswife of Lydia’s brother.
It is true, men spend a sixteenth of what women spend on maintenance, accessories and beautybut they spend too. Between a tuxedo and a woven dress with a censorship slit by Versace makes the latter more controversialthough it’s not like the network was tender with the cut-bowl of Sethu.
The hypothesis of Valeria Parellawriter, who on Twitter dreams of a Sanremo conducted by Caterina Caselli (artistic director, and many greetings to the conflict of interest) and Fiorella Mannoia, with hotties instead of women, seems quite remote. Meanwhile, a draw can be done learning from power seniors. Mara Venierin its Sunday In of yesterday from San Remowelcomed a 28-year-old boy on stage – role: paper-passer – with compliments on her physical beauty thatif addressed today to a woman, Google server comes down. “And what’s your name, and how old are you, and how would we take you home.”
The segment was the one with Giorgia as a guestin which at one point they asked the singer about the always ugly make-up instead of vocals, sparking outrage the next day. No one saw the pas de deux, but perhaps it was a rare moment of gender equality in this country.
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