Un’orchestra of children, a white stage that seems suspended over time e Dresses that transform memory in the future: Like this Maison Margiela He chose to present himself at the Paris Fashion Week. There spring-summer 2026 collection signed by Glenn Martens has staged not only fashion, but an idea of continuitywhere each garment becomes a bridge between archive and innovation.
Classic music on the walkway
The one hundred-fourth-paris, a symbol of urban regeneration symbol, was chosen as a frame. There, 61 very young musicians Coming from Romilly-Sur-Seine have intoned Strauss, Mozart and Chopin, giving a moving beginning. A gesture that has made the catwalk more human and theatricalin perfect harmony with the idea of a fashion that lives between art and real life.
The Parade of Maison Margiela: in the background an orchestra of 61 very young musicians
The PE 2026 collection by Maison Margiela
Maisonla’s spring-summer 2026 collection opened with a Tailoring reinventing the tuxedo vest: jackets with rounded shoulders, low -horse pants and fabrics ranging from denim to the skin. Slip dress, inspired by vintage, become layers that cover male jackets or stop with improvised ribbons. Floral prints, similar to wallpapers that are coveredadd a romantic and decadent note.
Among the highlights, Shoes without apparent heel – taken from the archives – which return to pumps and boots, while the Tabi Claw debuts with a plexiglas heel. The bags follow the same transformist logic: the box bag, in thermoformed leather, becomes clutch with a simple gesture, and the “Bunches” jewelry stores tells the theatrical irony typical of the maison.
Four Stitch Mouthpiece, the face as a white canvas
An element of strong scenic impact was the use of Four Stitch Mouthpieceaccessories that cover the mouth of the models creating a fixed and uniform expression. This is not an aesthetic habit, but a conceptual choice that has its roots in the corn philosophy: Delete individuality to give centrality to the headreiterate the idea of anonymity and transform the faces into neutral surfaces. On the catwalk, the effect is that of a community that speaks through clothes and not through smiles. A gesture that recalls Martin Margiela’s radical approach and that today Glenn Martens reinterprets as a reflection on the role of identity in an era dominated by the hyper-exhibition.
Models parade with the Moutiece
Maison Margiela Pe 2026: Glenn Martens and the strength of continuity
Glenn Martens signs a collection that does not need to upset to surprise. Each garment is designed as “Proposal for real life”but translates the newspaper into a visionary language. Maison Margiela thus confirms its uniqueness to Paris Fashion Week: A fashion that excites because it remains faithful to itself as she always looks forward.
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