“The one in the photo is not me,” Yanina Latorre shot on open television about the NEWS cover which has her as its protagonist: “The success of brutality”. And he continued: “The photo is artificial intelligence, I hate it, Noticias magazine would have asked me for a photo. I don’t remember taking that photo.”
But it was a mistake: it was not artificial intelligence. And yes it was Latorre. Could Yanina have forgotten it? The images correspond to a production made byHere is a note where the chimentera already polished the ways that later led her to the cover: ““I am a professional provocateur,” says the title of that note.
“For me it is artificial intelligence. I don’t have that top, I never had it,” the journalist insisted. While one of the LAM panelists told her: “Is this legal? Can this be done?” “It’s not you,” her colleagues said. “It’s not even your face,” the driver Ángel De Brito completed. But This note is accompanied by photos taken in that session by Profile photographer Juan Ferrari.
Latorre was consulted by NOTICIAS to prepare the note. The interview took place by telephone and the panelist talked about the success of brutality. “Throughout these 15 years that I have been working, I started out being me and then I exacerbated it because I was stupid,” he said. And he added: “I am direct and it seems better to me that way, to say what I think without a filter. I don’t like someone who is afraid of rebounding.” or that he says things in half. I prefer to say everything I think and get it out. But I’m not crazy, I act crazy.”
The cover of NOTICIAS, which has Latorre as the standard-bearer of the climate of the time, shows the change of global tide that took a Copernican turn in the field of communication: the hypercorrection that dominated the last decade is being displaced by a considered incorrectness.
And those who were canceled yesterday return triumphantly today, in an anything goes that mixes uncomfortable and pleasant truths to the ears of disappointed audiences, with shouting, insults and the naturalization of violence.
“The success of brutality” is the cover title of this week’s NEWS, with the image of Yanina Latorre as an exponent of that period climate. From television, streaming and networks – the latter being the most fertile grounds to exploit the Molotov language – it pushes the limits to what was unthinkable a short time ago; and reflects in show business a phenomenon that took over the political arena. From President Milei, always full of insults, to a wide ideological spectrum that ranges from the verbal low blows between Grabois and Galperinto Belliboni’s blows against the libertarian Fran Fijap.
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