THEThe second day of Milan Fashion Week 2025 it could not be richer. Opens the dances Luisa Beccaria with dreamy clothes, then passing the witness a Jil Sander, where Luke and Lucie Meier presented their latest collection at the helm of Jil Sander. The parade Fendi for i 100 years of the brand He moves, catalyzing attention on Celebrity and archive looks. Teatro da Antonio Marras, sensuality from diesel, art of Marni and Tailoring from Onitsuka Tiger: here is everything that happened the February 26 to the MFW fashion shows.
The collections Autumn-winter 2025/2026 The protagonists on the catwalk, but also the inspirations of the designers, the guests and the must-haves that have been noticed.
Fendi: the infinite in one hundred years
The history of fashion, the fashion that makes history. Fendi celebrates the 100th anniversary of the maison with an autumn-winter co-and and 2025/2026 fashion show designed by Silvia Venturini Fendi which goes far beyond the passive reinterpretation of the historical archives. The designer says he has drawn from his personal memories, projecting in the future what Fendi represents today. Resulting A collection with a mature and refined moodbut dotted with touches of Whimsy (playful extravagance) that recall the typical creative aesthetic of the brand. On the catwalk, on the notes of different soundtracks that change rhythmically, theRoman heredity like a refined bourgeois femininity marked by structured coats, tailoring suit and enveloping fur reminiscent of the 1950s and 60s wardrobe. The result is a coherent and multifaceted whole, where they coexist rigorous silhouette (well defined shoulders, underlined lives and knee skirts) and softer cuts and playful, as well as geometric prints and to indicate a stylistic continuum between yesterday and today.
Where it all began: the Fendi fur, again on the catwalk.
Numerous elements of the collection pay homage to the codes Fendi. In addition to the reasons chevron, you can see the use of the inlaid fur so dear to Karl Lagerfeld, Tailleur with skirt and even small fur doll, inserted as an ironic habit. Some of the most iconic bags in the history of fashion is inevitable: from Baguette at the Peekaboo up to an unprecedented reinterpretation of the Fendi Spy, for the AI 25/26 in satin. On the catwalk all the supermodels, yesterday and today: from the face of the Swinging London Penelope Tree (75 years) to Karen Elson, Edie Campbell up to the nascent stars of 2025, such as Amelia Gray and Alex Consani. A few steps from them instead, in front row, all the dearest friends of the brand like Sarah Jessica Parker, Bianca Balti, Marco Menano, Vittoria Puccini with his daughter and, of course, the sisters and the Fendi family. For a birthday Very nice.
The ending of the Fendi parade 100 years Autumn Winter 2025 2025. (Photo by Daniele Venturelli/Wireimage)
The final act of Jil Sander
A black velvet curtain, a catwalk immersed in the shade. The last parade of Lucie and Luke Meier for Jil Sander It is a whispered farewell, a palpable tension between elegance and rebellion. A few hours after the show, the official confirmation: The duo leaves the creative direction after eight years of impeccable dedication. Their codes merge into a collection Autumn-winter 2025/2026 of contrasts: sequins and skin, rigor and fluidity. The long sparkling fringes sway over austere clothes, while tailoring is contaminated with punk details Like studs, steel eyelets, live cut hemi.
Jil Sander’s romantic punk, for a bitter sweet farewell.
Floral prints emerge like flashes from the depth of black, the feathers hide on reading on rigorous tissues. The collection is A dialogue between opposites: Austere and decorative, urban and romantic, transparent and structured. The oversized coats tightened with double belts, the male jackets are contaminated with zips and lace inserts, while the bags, rigorous and sculptural, complete the story of a disciplined, but rebellious beauty. In the end, hand in hand, the Meier allow one last bow. No word, only their presence. The darkness lights up for an instant, before it calms the curtain. For the last time.
Antonio Marras, a opera on the catwalk
A tribute to melodrama, Sardinia and Catalonia: Antonio Marras for the autumn winter 2025/2026 stages, or rather on the catwalk, a theatrical act. The collection comes to life inspired by La Bella D’Algheroa work found of 1892, mixing history and poetry with an intense and stratified aesthetic. The models, modern tragic heroines, parade between gessary, brocades, damasks and velvets, decorated with jacquarded roses and pictorial sketches. The volumes alternate between tailoring lines and theatrical silhouettes, while craftsmanship tell the past with a contemporary touch. Among exceptional guests, Sharon Stoneready to applauded a visionary Marras who, once again, transforms Milan Fashion Week 2025 into an emotional journey.
Antonio Marras autumn winter 2025 2026.
A new diesel
Glenn Martens redefines sensuality with The most sophisticated diesel collection ever. Inspired by low -waisted jeans, it transforms coats and cocktail dresses into bold silhouette, enriched with suspended skirts that recall its signature from Y/Project, brand and personal project of the designer closed a few weeks ago. Tweed, Pied de Poule and Trompe-L’œil prints They play with perception, while the atmosphere is tinged with mystery with dark -eyed models and “Joker” style smiles.
Milan Fashion Week 2025, from the parade to 25/26 of diesel.
The set? A huge inflatable structure, now distinctive signature of the brand, surrounded by graffiti of 8,000 artists. In the 2025 2026 collection Denim evolves into satin finisheswhile the padded jackets, the minimal coats and the curled shirts reveal the stylist’s versatility. Which, in the backstage after the parade, confirmed its double role: it will remain at the creative guide of Diesel despite the recent appointment by Maison Margiela in Paris.
Onitsuka Tiger, modern tailoring
It is also time for celebrations for Onitsuka Tigerwho turns 75 and celebrates with a successful encounter between formal elegance and youth spirit. For the 25/26 collection, the creative director Andrea Pompilio pays homage to Japan Mixing the youth codes of Onitsuka Tiger with a growing formality. On the catwalk it was seen the merger between tailored elementslike blazers and coats, and sportswear detailsdistinctive stylistic figure of the brand. Sculpted shapes alternate with clothes decorated with sequins and mannish details such as ties and bottle-down shirts, while the accessories are raised thanks to buckles and studs.
The Baroque dream of Marni
The only rule is that there are no rules. For autumn-winter 2025/2026, Francesco Risso brings a collection on the catwalk that merges art and fashion, the result of the collaboration with Olaolu Slawn, Nigerian artist and skater known for his irreverent graphic language, e Soldier Boyfriend, English sculptor and designer who reinterprets daily objects in a surreal key. On the catwalk, Tracee Ellis Ross And Dara They create this creative metamorphosis.
Tracee Ellis Ross on the catwalk from Marni.
The silhouettes stratify in a game of volumes and textures: oversize coats with hand -painted graffiti, satin dresses from which flowers bloom, furs which are transformed into fairytale creatures. Between sartorial rigor and instinctive gestures, Marni celebrates the power of imperfection and the beauty of the unexpected. A baroque dream, a delicate rebellion, the most precious parenthesis of Milan in Milan Fashion Week 2025.
From Marco Rambaldi to Luisa Beccaria and Sirivannavari
The Italian stylewith its ability to merge past and present, It was the common thread of this second day of Milan Fashion Week 2025. Luisa Beccaria he enchanted with a collection that seems to have come out of a romantic painting, while Daniela Gregis He explored craftsmanship with tactile textures and destructured silhouette. Vivetta he dared with his unmistakable surrealist touch, playing with fairytale details and maxi bows, while Marco Rambaldi It has revisited the vintage in a contemporary key, between cruc, stratifications and a prelppy aesthetic.
The coordinate in Denim of Vivetta Autumn Winter 2025 2026.
An idea of style that is reflected in the 25/26 collection of SIRRIVANNAVARIpresented at Milan Fashion Week. A tribute to the saddlery Reinterpreted with asymmetrical cuts, precious leathers and equestrian details, from boots carved to jewels inspired by brackets and clamps. “Milan is a city that I love deeplynot only for fashion but also for art and design. Here you can breathe a unique creativity. For me, Milan means skin, shoes, bags. The accessories design is a pillar of the Milanese style, which I wanted to reinterpret with an equestrian touch that has its roots in my personal experience “, He told Iodonna the princesswho competed in the Dressage at the Paris 2024 Olympics. The experience in the race turned on the reflection: “Equestrian clothing is elegant and functional, I wanted to translate it in an elegant but versatile key».
So the jackets sculpt the body like a second skin, the boots reinvent themselves and the materials, such as skin and gabardine, balance strength and lightness. A tribute to his passion and the refinement of Italian fashion.
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