TOsculpture bits, transparencies that defy the rules, brightness, exuberant details. THE red carpet of the Cannes Film Festival they gave to the public memorable and enchanting looks. But if you look the purest eleganceit is not bodices, evening dresses or necklines that should be observed on the catwalk. How they teach Léa Seydoux And Odessa A’zionSometimes, just one is enough simple tuxedo to be the most elegant of the evening. Clean lines, tailored cuts and structured silhouettes to tell a story free, sophisticated and determined femininity.
Beautiful and magnetic in a tuxedo in Cannes
Under the first rains of the festival, Léa Seydoux started the trend boyish look with one black tuxedo by Louis Vuittoncomplete three-piece suit and tie for a look androgynous and refined. Next to her, Ruth Negga chose an interpretation from retro spirit designed by AMI Parisevoking the iconic elegance of Marlene Dietrich. Virginie Efira he bet on one Chocolate-colored tuxedo by Saint Laurent. The choice of is more contemporary and structured Odessa A’zionwho wore a Dior Homme suitWhile Charlotte Le Bon And Lyna Khoudri they interpreted the tuxedo in key essential and modern.
The birth of the boyish look
The tuxedoborn as a male evening dress between the nineteenth and twentieth centuries, has become over time a symbol of elegance and female emancipation. His entry into women’s wardrobe occurs gradually over the course of Twentieth centurywhen figures like Coco Chanel begin to introduce elements of menswear into women’s fashion, breaking the conventions of the time. The real turning point, however, comes in 1966when Yves Saint Laurent presents “Le Smoking”, The first tuxedo designed specifically for women: a revolutionary gesture that transforms a male garment into a symbol of freedom, power and androgynous sensuality. Since then it has women’s tuxedos have gone from being a provocation to becoming a red carpet classic. Seeing is believing.
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