Recommendations of the Editorial team

The traumatizing Vietnam War film of 1986 was not Oliver Stones “Platoon”. But, in a figurative sense, James Cameron’s continuation of Ridley Scott’s horror classic “Alien”. She was an exposed one. A technically higher military power is confronted with an asymmetrically distributed, hidden enemy that completely controls its world after penetration into foreign terrain. In the end, the Marines is no longer about victory, but about survival of the entire unit. Until self -evacuation.

Until it comes, “Aliens” offers an unprecedented narrative structure to this day. With 154 minutes of play, an 80-minute voltage structure goes by until the Monster appears. A risky dramaturgy. Because physical and behavior of the creatures have long been known. The greater the shock effect of this actioner, for which Cameron establishes the unlikely principle of a fourth act within a story, the fully satisfactory final motherly versus human mother (Sigourney Weaver) follows another. That loosely exceeds the advance showdown.

The best Xenomorphic film

How immensely the influence of this best film of the “Alien” series is, the collective snapping alone demonstrated in early 2024 after a single element that became known for the first time since 1986 in a new part of the series, “Romulus”. The “Pulse Rifle” is back. Who takes on the main role in the film? Doesn’t matter. Does the machine gun really be used? Only that everyone wanted to know. A rifle that everyone is looking forward to more than everything else! No wonder that “Alien” director Ridley Scott recently claimed that Cameron’s sequel was only “okay”.

Cameron himself won his first of many studio fights with “Aliens”. At the start of shooting, the British crew in the Pinewood Studios laughed at the 31-year-old Ami with the trucker hat. In the end he won seven Oscar nominations.

Exercises for his big trip

With “Aliens” and at the age of 32, James Cameron had reached his artistic zenith. But he remained a driven. His dream was the dive to the Marianengraben. This also reflects his work show. Of his six films to date, three would play in the water. They were exercises for his big trip. For cinema work, he immediately shipped camera technology into submarines. His first cinematic diving exercise was the “The Abyss” (1989), which was also shot underwater, in which Navy Seals and marine researchers around drilling master Bud (Ed Harris) search for a lost atom submarine, instead meet extraterrestrial meetings.

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Although staged in the last year of the Cold War, i.e. with a view to an upcoming peaceful era, the visitors on the sea floor behave extremely error. You want Homo sapiens, hardly that the first contact has been made to wipe out-result of 50 years of bingewatching of Hitler videos in maritime loneliness. Suddenly they are that people have not learned anything. Drilling master Bud talks to her.

The computer-generated aliens consisting of formable liquid should inspire Cameron in 1991 to appear a new “Terminator” film. Unfortunately, in contrast to the wave of publication with “Aliens”, “The Abyss” and the Schwarzenegger agent comedy “True Lies” from 1994, no new 4K remaster. Cameron would meet his Marian trench dream in 2012. As one of only six people so far, he dipped to the deepest point in the world sea.

“The Abyss” is also good for a film -historical note. As early as 1989, Cameron announced a longer cut version (171 instead of 145 minutes), which he, in the pre-DVD age, that he presented the bonus content-free era in 1992 as an independent publication on VHS (which he did in the extended version of “Aliens”). It is also included on this Blu-ray.

Not Cameron’s most important but most entertaining film

Five years after the end of the fall of the Berlin Wall, three years after the dissolution of the Soviet Union, America was looking for new opponents. In the place of the cold warrior James Bond, who paused from 1989, so long than ever, Harry Tasker took. The action comedy “True Lies” (4 stars) is not Cameron’s most important, but the most entertaining film, compared to its futuristic doomsday scenarios.

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Arnold Schwarzenegger gets rid of his lead -heavy responsibility as a terminator in which he represents a secret agent who turns off every baddie but does not find a means of saving his stuck honor, also because he is not allowed to reveal his Helen (Jamie Lee Curtis) that he is not a boring sales representative, but hot.

Seven years before Nine Eleven, Arabic terrorists can still appear as tölpel who want to spread their ramblings all over the world by video, but whose cameras don’t even have enough juice to reconcile their apocalyptic. The atomic bomb appears in “True Lies” even after its ignition in the Pacific in front of Los Angeles as an annoying thing, the explosion of which is disturbing Schwarzenegger, especially when kissing Curtis. He and her, as the sea and heaven, simply keep his hand in mind. Now also, like “Aliens” and “The Abyss”, in 4K. The question remains whether Harry Tasker could also have become a James Bond series. But neither Schwarzenegger nor Cameron wanted.

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