Versace Milan Fashion Week 2025 parade: all about the show

Vietato stop. Against the background of the Italian capital of style, the fashion week proceeds sent. In the fourth day Of Milan Fashion Week 2025 there Versace fashion show He catalyzed attention, crowning twenty -four hours full of interesting défilé.

The fourth day of the MFW dedicated toAutumn-winter 2025/26in fact, saw Made in Italy’s maximum weights paraded, such as Tod’s, Sportmax, Moschino And Missoni (with the debut of the new creative director Caliri). Without forgetting younger but no less suggestive realities, from Sunnei to Institution by Galib Gassanoff. Leaving that it was the infinite glamor of the Versace fashion show that embellish another chapter of this Milan Fashion Week 2025.

Versace Milan Fashion Week 2025 parade: dialogue between past and present

A Versace show has always been a high rate of glamor. This season was not an exception, thanks to a scenographic Défilé set up within a vast tram deposit. On the catwalk of almost 150 meters a stage is to be staged reinterpretation of the most loved and recognizable aesthetic codes of the Italian fashion house, re -proposed in a contemporary key. The first looks, for example, represent a return to the late nineties, with the down jackets Stopped by the Baroque pattern brought such as mini skirts, couture clothes and enveloping outerwear. The clothes from the rigid bust and the equally structured skirt, however, pay homage to the costumes for the ballet Designed by Gianni Versace.

The black, a great protagonist of the show, acts so much from a neutral base, perfect for enhancing printed garments or with bright shades, as from the undisputed stars of rigorous and determined looks. The total black, for example, long souls coats with an essential design, crossed body and long dressed in the pronounced shoulders. THE’animalier alternates with precious details with a flavor western And rockin line with the accessories characterized by pointed studs. The velvet dialogues with the skin, silhouettes characterized by ruches coexist next to clothes in the metal shirt with a slipped shape. The quintessence of the Maison (and by Donatella Versace) parades in the spotlight, always faithful to herself.

Artisan intelligence according to Tod’s

Tod’s’s last show staged a real celebration of Savoir-Faire and of theMade in Italy craftsmanship. Starting with theinstallation signed by the artist Nelly Agassi who had as protagonist Carla Bruni. The former Première Dame of France, in fact, stood in a sculptural dress made from the remnants of recovered skin. In the collection designed by the creative director Matteo Tamburini is therefore found the vocation towards one material refinementwith exceptional quality, designed for women with a decisive attitude, safe of their femininity.

To dominate are the outercridesophisticated armor to face everyday life. Double -breasted coats are noted in a rigorous gray, close to life by contrasting belts; Trech in leather – one of the real protagonists of the défilé – in a color palette that ranges from chocolate to red to black; without forgetting declines in suede and overcoat in fake fur fur From real dive. The silhouettes have slipped, soft, elongated, both in strapless clothes and in cardigans with buttons and in the hourglass tops to wear with coordinated trousers.

Sportmax, woman in motion

«Fashion is a language. Each garment is a sentence, each collection a chapter». So says one of the “personal notes” that Sportmax He asked to write to the women of his ecosystem, from designers to seamstresses. The maison then raises the curtain on the so -called Woman in Motionmaximum incarnation of a stylistic imagination that merges present, past and future. The autumn-winter 2025/26 collection moves between coats with built-in scarves, shaped blazers, revisited tailoring suits. Drapping models alternate with flared design, in particular on the asymmetrical clothes that propose a new idea of ​​sensuality.

The chalted motif coexists with the animal pattern, the deepest denim alternates with nuance of butter, red and blue. To act as a glue among all the looks are in any case the fringessynonymous with movement and dynamism, proposed on high neck dresses, scenographic stole, unexpectedly sexy vest and it bags to take to the shoulder or hand.

Moschino among irony, archive and green commitment

The autumn-winter 2025/26 collection of the brand led by Adrian Appiiolaza It has a precise starting point. The current creative director, in fact, let himself be inspired by one of the symbol of the genius and the inspiration of Franco Moschino: The Mannequinn dress of 1992 With a flared shape, as if it were sewn on it, the mini dress paves with coats and “inconclusive” tailoring coats and suits, characterized by contrasting seams.

The typical fashion practices and language are therefore made manifest thanks to an impressable dose of humor. The same that is found in accessoriesdestined to hit the mark. We recognize bags designed to remember a pack of biscuits, a plate of spaghetti, even a bottle of wine. There are also polka dots and hearts, an integral part of the brand of the brand, alongside the archive prints of the Tessile Sanderson of London company, revisited in a Moschino key. In line with the history and spirit of the brand, the show ended with three looks dedicated to environmental protection. The “garbage” style outfits and the printed maxi t-shirt shout the fashion industry to save the planet.

Alberto Caliri’s new Missoni

This MFW was the backdrop to highly anticipated debuts. Like that of Alberto Caliri At the helm of Missoni. The new creative director boasts a very long relationship with the maison, of which he knows history and archive. Precisely for this reason its primary objective is show an unpublished side“Sleeping”, of the fashion house, bringing to light the submerged. Declaring, not too veiledly, that in addition to the zigzag motif and multicolor garments there is much more.

The show at 25/26, in fact, was a triumph of knitwear of inspiration from the seventies and eighties, proposed on cards padded with pockets and models Egg-Shape Combined with bands and thin scarves. The sweater and shirt also turn into mini clothes that discover the legs. After sunset, however, the looks are animated by a stroke point that seen from afar recalls the sequins or a snake print. The collection proceeds for stratificationexpressing himself in unexpectedly harmonious looks.

Institution by Galib Gassanoff, a sense of belonging

There was a lot of expectation around the debut on the catwalk of Brand founded by Galib Gassanoffalready founder and designer of Act N1. The Georgian stylist started from his origins for the collection entitled Elwhich in Turkish means “a sense of belonging to a tribe”. The proposal develops mainly in the tones of white and black, with touches of olive green and tartan. To distinguish the brand’s imagination is the particular processing technique of lacesin turn inspired by the Azero method for the manufacture of Borchalu rugs.

Fabric filaments, united in one dense plotthus give shape to structured tops that leave the back uncovered; a vest from the sensual spirit; to voluminous skirts and carved dresses. The study of the shapes and silhouettes moves with skill between models cocoon And Maxi Revers, experimenting with voluminous straps and unpublished variations.

From Sunnei to Elisabetta Franchi

«This collection is a tribute to the strength and freedom of women who are not afraid to express themselves, who embrace their sensuality with ease and determination. […] Each dress tells the story of a woman who challenges conventions with elegance without ever giving up her own candies». THE‘Empowerment female is therefore at the center of the last proposal signed Elisabetta Franchiinspired by the nineties minimalism. The garments are carved on the body, aimed at enhancing the shoulders and life point, while the dialogue between textures and materials – lucid and statuesque, opaque and voluptuous – gives life to a magnetic tension.

SunneiMeanwhile, his very personal reinterpretation of the streetwear. Next season he thus promises to be in the name of a fresh sporty-chic imagination, which does not take himself too seriously. The striped fantasy, synonymous with the brand, meets fluo shades, padded vest, oversized wind winds and suede garments. Giuseppe Di Morabitofor its part, lights the spotlight on the relationship between fashion and technology, through a faithful humanoid robot representation of the much discussed artificial intelligence. This futuristic approach, at times dystopian, proves to be the foundation of a stylistic idea based on timeless silhouettes, such as bustier, blazers with pronounced shoulders and clothes covered with sequins.

With the Versace fashion show, the curtain falls on another day of Milan Fashion Week 2025.

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