The songwriter from La discovers the indie poprock and researches the mud hole.
No, of course you can hardly get around the cover when you discuss this plate. Miya Folick is hanging along a dark white cotton underwear along a dark mud hole, which is less than faithful for mud baths than symbolically read that as a young person you are also put on by abysses in which not only the thoughts are dirty.
But as the mud hole suggests in its mud hole at the same time: actually a natural thing. “We’Re all Filthy with desire”, Folick sings in the wonderfully hooky “Prism of Light”, with which she definitely has a point. And so Erotica Veronica is equally a plate on which the vocally gifted consistently circles the desire, like one on which she largely leaves the electro pop of her first two albums behind.
Instead, you can hear eleven, as super-grip-like and emotionally charged songs between smooth indie pop and deep-shed indie rock, which seem to vibrate out of sheer tendons, and with bonds on Alanis-Morissette-overschang (“La da da”) and Cranberries-Düsternis (“Love Want Me Dead”) a maximum of vitality and urgency Spray. Great!
You can find out which albums were published in February 2025 via our monthly publication list.