DUse, The Greatest
Type: Praise theatral-feminine
Of and with: Sonia Bergamasco. With Valeria Bruni Tedeschi, Elena Bucci, Ellen Burstyn, Fabrizio Gifuni, Federica Fracassi, Emiliano Morreale
“L’Ambaglio”: Toni Servillo, Ficarra and Picone tell Garibaldi and the thousand in the cinema
How to tell the art and skill of one of the greatest actresses ever (Čechov saw it and, although he does not know the Italian, he said that “I seemed to understand every word”), of which only one (short) appearance was kept in a 1916 film, Ash by Febo Mari?
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The actress and director Sonia Bergamasco does not try to reconstruct his life and career, but he strives to seek the secret of his gesturesalso thanks to the testimonies of those who saw or studied it.
Sonia Bergamasco and Valeria Bruni Tedeschi in “Duse, The Greatest”.
As in a letter that wrote to his beloved Arrigo Boito made entirely of dots, Duse’s art remains elusive (the recording of the voice disappeared in a fire), entrusted to some rare theatrical chronicle or those scarce shots of Ashwhere he is more worried about hiding (he covers himself with a veil) than to show off.
But it is precisely in those hands gestures, In that studied reluctance that Bergamo digs in search of the sense of an acting arthelped by the historical advice of Maria Paola Pierini.
And in the end, approaching us to his art for subsequent approximations, we seem to be one step away from having discovered because it is still considered “the largest in the world”.
For those who want to dig into the myth of Eleonora Duse.
I woman © RESERVED REPRODUCTION
The article “Duse, The Greatest”: Paolo Mereghetti’s review seems to be the first on Io Donna.