★★★1/ 2 An immigrant allows himself to be tattooed by a controversial artist and the “work”, on his own skin, requires a museum. A parable about liberties and other things, with certain accents of social and political criticism, it has the wisdom to contain the allegory at times -what a horrible thing the allegory is in the cinema- so that the absurd, Kafkaesque power emerges (that is to say, finally tragic ) of the base situation. The occasional declamations take flight away from him.
