Kurt Wagner continues on the good middle path
As admirable as the radicalism with which Kurt Wagner opened up the world of loops and auto-tuning since “Flotus” (2016) was, it was a pity that this unspectacularly large one was no more than just another voice in the large electronics mix should be. Most recently, on “Showtune”, Wagner backtracked a bit, and “The Bible” is also looking…
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