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With angelic patience, Joe Cocker was asked about John Belushi’s famous parody of his singing style and gestures, which belongs to the inventory of rock music. A lesserer would have referred to his merits- cocker was glad that he had survived the Bacchantic 70s, his alcohol and drug addiction. He needed his beer to concerts – and finally did without them. His wife Pam Baker had accustomed the ecstatic after 1987 to a more moderate life: Cocker liked to talk about the ranch in Colorado, which he called after his legendary album “Mad Dog”, and the café and the ice cream parlor, the PAM.
A crazy dog was John Robert Cocker, born on May 20, 1944 in Sheffield, South Yorkshire. Even as a teenager, he sang the rhythm & blues in British bands, a natural talent whose motor skills were inhibited by paralysis of children, which induced the unique twitches and gripping movements. Vance Arnold & The Avengers and Big Blues were bands that brought him through the 1960s-he was very reluctant to do his work as a gas plant installer (and then no longer).
In 1968, “With a Little Help from My Friends”, the Beatles song by “Sgt. Pepper”, changed his life. The cozy piece, originally sung by Ringo, became a beast in Cockers unleashed, gurgling interpretation and in its meaning: here someone obviously did not right with a little help from his friends. In the summer of 1969, Joe Cocker became world famous with his unbearable lecture at the Woodstock Festival-his appearance defined the three days “Peace & Music” in addition to Jimi Hendrix’s similarly enraptured concert.
“You are so beautiful”
Cocker also sang other songs there that were a program: “Feelin ‘Alright” and “Let’s Go Get Stoned”. The hippies followed this motto, and Cocker followed him anyway. In 1970 he completed the chaotic “Mad Dogs & English” tour through the USA with Leon Russell, choir singers and a big band and then worked on ruining his career with erratic behavior, fighting and drug excesses. With the simple ballad “You Are So Beautiful” he was still a big hit in 1974, but the few records of the 1970s were not very successful, and at the end of the decade Joe Cocker was considered a hopeless case.
“Sheffield Steel” was also not a hit album, but in a miraculous way it revitalized the singer in 1982. A year later he sang with Jennifer Warnes “Up Where We Belong” for the film “An officer and gentleman” – the play became a classic. From now on, Cocker regularly recorded records, all of which were successful-starting with “Civilized Man” in 1984. Cocker’s version of Randy Newman’s “You Can Leave Your Hat on” sounded in 1986 in “9 1/2 weeks”-the director Adrian Lyne fueled the Striptease scene of Kim Basinger, which contradicted the institution of the song, but very much was effective. “Unchain My Heart” almost reached the top of the German charts in 1987, the song of the same name became the third Hymn.
In 1996 Cocker performed with the Kelly Family
In general, the Germans adopted the touching singer: for the Schimanski film “Zabou” he sang with Klaus Lage “Now that You’re Gone”, and in 1988 he performed in Berlin and Dresden-unforgettable concerts that inspired the name “Cockerwiese” for the performance in Dresden. Not mäklerisch, Cocker performed with the Kelly Family in 1996; For the advertising spot for a rustic beer, he recorded the former “Sail Away”.
Randy Newmans not to be confused “Sail Away” he sang in turn on the album “Organic”; Newman accompanied him on the piano. After years of routine plates, in which he had sung to finished backing tracks, he was involved in the studio production of “Hymn for My Soul” (2007) by sang again immediately with the musicians. “Hard Knocks” (2010) and “Fire IT Up” (2012) also reached high chart positions in Germany, England and in the USA: Anyone who had previously bought records bought CDs from Joe Cocker; His audience remained loyal to him.
The former Hallodri was one of the few rock stars who were actually modest and down-to-earth-attributes that are so unglamorous that artists prefer to avoid. Joe Cocker was uncomfortable to step in front of press conferences; His appearance was shy and left, he didn’t want to make a fuss: In the later years, it was almost expected that he got the drinks from the bar himself. He could not answer the question of what he reached on the microphone with rowing arms and outstretched hands. As Paul McCartney suspects, it must have been something intraubable: Soul.

