Mikko Kekäläinen has been hosting YLE’s favorite program for 15 years.

Mikko Kekäläinen is a journalist, presenter and author. Pete anikari

YLE’s programs have recently been in turmoil due to YLE’s change negotiations. Many programs have come to an end and many have made significant changes.

It was recently reported that presenters Anniina Valtonen, Tuulianna Tola and Olli-Pekka Kurti leave the popular Half -seven time program.

Ella Kanninen, a long -time presenter of the program, confirmed to Iltalehti that her work would continue normally.

Now Mikko Kekäläinen tells Iltalehti that he will also continue in the program as well.

– I’ll continue here until I really carry me away. After all, I’m going to fix the pink couch with a chain to make it as difficult as possible, Kekäläinen jokes.

– Yes, I’ll continue. Things continue here in the same way as before, he continues.

Ella Kanninen and Mikko Kekäläinen have long hosted the half -seven program. Atte Kajova

Kekäläinen has hosted Half seven since 2009. 15 years have accommodated a variety of memories in the program and in life.

Kekäläinen remembers the time he started in his presentation. At the same time, he became a father at the same time. Now his and his wife Kristiina Kekäläinen’s first -born son is already a school -age student.

– Then two parallel stages of life started at the same time, which has been a very good combination. There has been nice things to do and have fun to do.

For half a seven In Kekäläinen’s view, there is still demand today. When the prevailing world situation is sometimes gloomy and uncertain, people seek positive content to seek variation. It appears as a good feedback for Kekäläinen from viewers.

– The recovery of half of our half seven is nice and unimaginably nice. Of course, we are a nice, harmless and easy good -minded program. Even commenting is mainly nice and benevolent.

– Of course, when the audience is big, there is more than just benevolent. It is a computational fact that of course you can’t do anything. Fortunately, the positive Klangi has survived both in public feedback and in making.

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