When the mecons scattered all over the world meet all jubilee years to take up a new album, it’s about two things: First, the veterans of the indie outsider want to have a good time. Second, they want to import a record that tells the world. This is still the claim almost 50 years after the band was founded. Horror is about what is in the newspaper yesterday, today and tomorrow. So from the horror of everyday life.

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But the mekons would not be the mecons if they were not interested in the causes. And then you can get left -wing the Ursan of the British Empire: the imperialism. With Oliver Cromwell’s concept “The Western Design” as a starting point, the idea of ​​considering land as a business option-and accordingly with the people who are located there.

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That didn’t invent Trump, that was the British itself. You could play such songs in a bad mood. But the mekons don’t feel like it. You want to spend a good time. That’s why songs like “Sad and Sad and Sad” do not sound sad. The song is played as a reggae via Cromwell. And is a hymnic ballad like “falling Leaves” rather comforting than dreary. Because there are four songwriters on board for the Mekons, the mixture is colorful: Dub, Folk, New Wave, Americana – all limitless. And limitless well when Sally Timms with “A Horse Has Escaped” disenchants the cowboy myth or has bad news in the role of the ice princess in the role of the ice princess for sweet sound.

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You can find out which albums were still published in April 2025 via our monthly publication list.

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